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"Adam Makowicz is a magician of the keyboard." By any standard, Makowicz is brilliant. And while the legacy of Tatum resonates deeply, so too does Makowicz .... Makowicz is magical!
Makowicz plays with beauty, compassion, and vision. He is one of the most phenomenally spectacular pianists in jazz.
Adam plays with virtuosity, spontaneity and style that surely would have delighted Gershwin.
Makowicz is a jazz master, and like great practitioners of any style, he is all music, to the point where questions of influence, mechanics, and sub-genre (swing, bop, chamber, neoclassical) have become irrelevancies.
Adam Makowicz has been praised by Benny Goodman, compared with Art Tatum, Erroll Garner and Teddy Wilson, honored by jazz publications and toasted all over Europe as a genius. Mr. Makowicz's fiery style, firm chording, and rapid, Tatumesque right hand phrasing make him more than deserving of the accolades he has received.
"... his
playing ... can only be called astonishing."
Adam Makowicz, a remarkable virtuoso with technique on the level of an Art Tatum, performed some miraculous unaccompanied solos... Although Tatum is an influence, Makowicz has a harmonically advanced style with a personality and strong wit of his own; his renditions of standards were often breathtaking.
Adam Makowicz is a magician of the keyboard.
Adam will make the history books.
Here is the most astonishingly gifted improviser to come along in a couple of decades. Adam is once in a lifetime.
... His albums and his playing in general can only be called astonishing. Gifted with a fertile imagination and an unlimited technique, he is not only an extraordinary pianist, he is also an unusual and fascinating composer.
... a pianist of awesome technical accomplishment, he played with delicacy and great affection. There seems no idea, no matter how complex, he cannot carry off with flair. Striding magnificently, swinging mightily, full of warmth and presence.
Jackpot! Adam performed an utterly entrancing program, mostly standards, that purvey unerringly fine taste, crafty phrasing and prodigious technique. First-time listeners to Makowicz who fancy themselves would-be pianists are forewarned: so majestic is his technique that you may switch to another instrument. To his credit, Adam's wizardry on the keys is refined in, indeed balanced, by the emotions he seeks to convey. And, boy, does he swing! The legacies of Art Tatum and Erroll Garner converge in the 10 fingers as he sweeps across the keys one moment, then drops in a few well-chosen trills. Even at the fastest tempos, his approach is unhurried and seldom florid, full of springy jubilation, so much so that his right and left hands seem to operate autonomously.
A rare artist who grips and holds attention, Makowicz handles the classics of the American songbook with an aplomb equal to the way he deals with the devastatingly complex structures of his own compositions. A gifted improviser with splendid technical prowess, the pianist can also offer warmth and affection in melodic lines, the balance of fine taste, pungent swing and a jubilant approach inevitably generating audience cheer.
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